Love's Labour's Lost (The First Quarto)
When the King of Navarre and his friends swore to devote themselves to a monastic life of scholarship, they forgot the embassy of the Princess of France would force them all to break their vows. Confronted with ladies who can match their wit, the lords learn the hard way that the heart wants what it wants.
Shakespeare's classic comedy of love's triumph is rarely performed in its earliest printed version; and Bad Quarto Productions will present the play using its signature style of combining modern text work with Shakespeare's staging conditions. Bad Quarto Productions' performances combine detailed understanding of Elizabethan language with the liveliness of improv to deliver productions of Shakespearean plays as intensely raw as their original stagings. Bad Quarto Productions combines universal lighting, cross-gender casting, audience interaction, live acoustic music, minimal scenery, and contemporary costumes to bring both this Renaissance play, and the Renaissance play-going experience to the modern stage this August in New York City.
The house opens 20 minutes before curtain times. Love's Labour's Lost is approximately 100 minutes long, and will be performed without an intermission. Bad Quarto invites all audience members to come early and enjoy live acoustic music performed by the cast prior to each performance.
Tickets are available through Brown Paper Tickets at http://loveslabours.bpt.me/. For more information please visit Bad Quarto Productions online at http://www.BadQuarto.org. Questions may be directed to firstname.lastname@example.org, or by phone at (646) 598-2128 between 10 AM and 6 PM.
Love's Labour's Lost is directed by Bad Quarto Productions' Artistic Associate Alex Dabertin, who has previously directed What, Lamb! What, Ladybird! and assistant-directed The Life and Death of Jack Straw for the company in 2016, as well as appearing on stage in their productions of The Taming of a Shrew, Hamlet: The First Quarto, and their recent production of Cupid's Revenge.
Of Love's Labour's Lost, Dabertin says "This play is one of Shakespeare's great early comedies. Four young men who believe they can shape the the world into their mold are confronted by four young women who bring the world to their door and shatter that illusion. Love's Labour's Lost is full of wit, wisdom, and whimsy, and about the promises we make to those we hold most dear: in particular the promise of saying 'I love you.' "
Amy Hayes (Holfernes) America Is Hard to See, Life Jacket Theatre, NYC. Regional: Hesther, Equus (Oldcastle Theatre); Mistress Ford, Merry Wives of Windsor (IndyShakes); Gertrude, Hamlet (Indianapolis); Tour Guide/Doctor, No Exits Middletown (Indy), Hermione, The Winters Tale (Indy Shakes), Mama,Distracted, Wisdom Tooth Theatre (Indy), Jasmine, Chris Whites Thawat Indyfringe. Film and TV: Mrs. Samuelson in The Celebrant with Rae Dawn Chong and Reparation with Jon Huertas. Artistic Director, Wisdom Tooth Theatre Project. Recording Projects: Some Things Never Change, Hidden Graces (Spring House); Books: A Collection of Wednesdays (Zondervan/Harper Collins).
Audrey Brown (Longaville) Going three years strong as a New York based actor, Audrey is elated to be cast in her rst Bad Quarto Production play. Audrey moved from Nevada to attend the Lee Strasberg Institute after graduating with a BA in Theatre and International Affairs. Before making her move east, she discovered her love for Shakespeare and classical theatre after working with Shakespearean Actor, Author and producer, Ben Crystal in a production of Hamlet. This experience ignited a love for the language and ensemble work that couldnt have been found anywhere else. Audrey was most recently on set of Amazons The Marvelous Mrs. Maisel as well as in a production of The Last Days of Judas Iscariot by Stephen Adly Guirgis. Special shout out and all the love to my family who have taught me the true meaning and importance of perseverance and support.
Courtney M. McClellan (Berowne) is an actor/voiceover artist, graphic designer, teaching artist, and Artistic Associate at Bad Quarto Productions. Courtney is also a proud Equity Member Candidate. Recent credits include What Lamb, What Ladybird! and The Life and Death of Jack Straw with Bad Quarto Productions, Garbage Person Karaoke with the Capital Fringe Festival (Washington D.C.), As You Like It (La Belle/Phoebe) with Shakespeare Off-Broadway, Whatchamacallit and, "Luck Bar Scene," and "No Plan B" with the Skeleton Rep, and Ripper at Times Scare. BA Communications/Theatre, Hampton University; McCaskill Studios, NYC. www.courtneymmcclellan.com.
Kevin Dang (Katherine) is a native of Dallas, TX. He has recently worked on the TV show Gotham and was in The Madness of Hercules at the New York Euripides Summer Festival as the Messenger. He is a proud member of the Asian-American activist community and is striving for equality and representation on stage and screen. Kevindang.space
Kitty Mortland (Ferdinand) is excited to be working with Bad Quarto for a second time, having previously played the Queen in Hamlet: The First Quarto. She recently played the title character in King Lear (What Dreams May Co), appeared in Measure for Measure (Hudson Warehouse), As You Like It (Folding Chair Classical Theatre), and repertory productions of Richard II and Romeo and Juliet (Hamlet Isn't Dead). Kitty also played the title character in Hamlet: The Series, available on YouTube. Originally from Chicago, she appeared there in Down & Derby (The New Colony), Devour (20% Theatre Chicago), and the Jeff Nominated The Bad Seed: The Musical (Corn Productions). When not on stage, Kitty is also a singer/songwriter who played venues across the Chicagoland area including the Elbo Room, the Underground Lounge, and Reggie's Rock Club. DFTBA.
Marcella Pereda (Don Armado) is excited to be back at Bad Quarto after appearing as Ismenus in this season's Cupid's Revenge. Some of her recent credits include the world premier of Remington and Weasle (Kim Luna) at PYGmalion Productions, Peter Pan (Tiger Lily) at Utah Children's Theatre, The Skin of Our Teeth (Gladys) at the Grand Theatre, and A Few Good Men(Joanne Galloway u/s) at Pioneer Memorial Theatre. www.marcellapereda.com
Martin Goldberg (Nathaniel) is a NYC native and graduate of Brooklyn College. He has attended classes at HB Studio, Penny Templeton Studios, and the Upright Citizens Brigade. Martys credits include the Love Creek Productions of Classy Shorts, An Evening with Le Wilhelm, Rubicon Crossed, and Masqurade Asylum, The Manhattan Repertorys productions of Some Squeaking Cleopatra Boy, A Thousand Words, Exhume Yourself, and Tales of Terror (The Hand), the AlphaNYC Production of Ceiling Art and And Then There Were None, and the Firebird Youth Theatres production of Romeo and Juliet.
Max Stein (Rosaline) Max has enjoyed living and acting in New York City for the last ten years. Before that he trained with the British American Drama Academy in Oxford, and attained a B.A. in Theatre at Wittenberg University. He has enjoyed working with companies including The Actor's Project and The Michael Chekov Theatre Company, and is currently a member of The Complete Theatre Company. Thanks for coming to see him do what he loves!
Melody Lam (Princess of France) is classically trained with a focus on Shakespeare and Anton Chekhov. She has studied at various studios across NYC including Stella Adler and Michael Howard. Credits include Lady Macbeth in Macbeth with Theater2020, Ariel in The Tempest and Dorine in Tartuffe. Film credits include Red Plastic Bag. Melody is a trained vocalist and contemporary dancer, and speaks Mandarin, Cantonese and French.
Natasha Cole (Costard) is thrilled to make her Bad Quarto debut! She is proud ensemble member of Providence-based Out Loud Theatre and is a current cast member of the international tour of Kultar's Mime. She recently graduated Hofstra University with a BFA in Acting.
Olivia Vessel (Moth) is excited to be performing with Bad Quarto Productions! Recent credits include Jeanie in Hair (Heights Players), Miss White in Clue: The Musical (West End Lounge), and Helena in A Midsummer Night's Dream (Salt Lake Shakespeare). You may have also seen her performing her original one woman show, Olivia's Corner, a satire about a children's show host teaching kids about adult themes, performed at various comedy clubs in NYC. www.youtube.com/c/oliviavessel
Elizabeth Kipp-Giusti (Dumain) is a strategic, multidisciplinary performer and programming developer invested in honoring communities in the city with effective, creative policy and programming. A New York City native, she values the intersection of education and history as foundation for building institutions. Elizabeth received a BA in Religion, with a concentration in Human Rights from Columbia University and graduated with a MA in Arts Politics from NYU-Tisch. She is the grant writer for The Public Theater. Many thanks and endless love to my partner, Alex Dabertin.
Rebekah Carrow (Boyet/Dull) is an actor and playwright in New York City. Her first play, Mary V, just finished its first run at Theater for the New City. She is an alumni of Atlantic Studio's Evening Conservatory program. She has performed throughout New York, New Hampshire, Vermont, and Virginia.
Samantha Renèe Burkard (Maria/Jacquenetta) is a recent graduate of the University of Wisconsin-Whitewater, and has lived in New York for the past year, pursuing her passions for music, acting, and Shakespeare. Recently, she has been working with Titan Theatre Company as a Young Company member, which has expanded her love and knowledge of Shakespeare sevenfold. She is thrilled to be appearing for the first time with Bad Quarto Productions, and hopes you enjoy the show!
Alex Dabertin (Director) is an artistic associate at Bad Quarto Productions. Alex was recently seen in Bad Quarto's productions of Cupid's Revenge as Leucippus, Hamlet: The First Quarto as Hamlet, and The Taming of a Shrew as Polidor. Alex directed Bad Quarto's Summer 2016 production of What, Lamb! What, Ladybird!, and assisted with direction of Bad Quartos Fall 2016 production of The Life and Death of Jack Straw.
About Bad Quarto Productions: Bad Quarto Productions was founded in 2010 to explore the rarely performed plays of Shakespeare's time, and the ways in which Shakespeare's staging techniques can inform modern theatrical productions. The company has produced the earliest printed version of Romeo and Juliet and The Taming of a Shrew ("a shrew" not "the shrew"); the first performance of The Merry Devil of Edmonton in the modern era; and The Ballad of Dido, an original musical developed using Shakespearean techniques. Bad Quarto Productions continues to look for new ways of bridging the gap between Shakespeare's theatre and the modern stage.
Studios 353 (View)
353 West 48th Street
New York, NY 10036
|Kid Friendly: Yes!|
|Dog Friendly: No|
|Wheelchair Accessible: Yes!|